Dark Clouds and Hope at Christmas

Dear Readers,

Here is the editorial I wrote for this week's Stowe Reporter, our local weekly.  I want to share this small attempt to come to grips with Newtown:

A dark cloud blew over the nation last week during this time typically reserved for joy and good will. Our hearts and prayers go out to the lost ones, their families, the community of Newtown, which will never be the same. We each would lift them up ourselves if we could. But we can’t.

There are too many dark clouds, too many goodbyes, too many tragedies, too many losses beyond words. From 9/11 to Newtown. We are weary for peace.

In our town, our own small New England town, as safe as a postcard, as pretty as a pin, the pain of Newtown hits us with poignancy. For many in Stowe the schools are the center of the universe. The music and singing from the elementary school holiday concert still rings in our ears; the sight of neighbors and friends pouring into the school gym, smiles from ear to ear, are fresh in our minds. It is unimaginable, what happened to Newtown. But it happened.

And now we come toward Christmas, which frames this season. Whether we take it as Gospel or parable, the story of the baby born in a manger is at its core a hard one. A husband and wife forced to sleep in a barn, she about to give birth. The baby is born among the farm animals and is Holy. The baby brings hope and joy to a hard world.

As difficult as life can be there is always hope. Even Pandora, after making the world-altering mistake of releasing evil from the mythical box, saw one last spirit enter the world. Hope.  

So in the shadow of darkness we turn to light and hope. We pray, even those of us who normally would not. We pray for Peace on Earth. Good will toward men.

This message is not just words. In our communities we experience the message every day. In a recent example, through the drive of one business owner in the village of Stowe, on a recent Saturday the people of an entire town ‘shopped ‘til they dropped’ to raise money for a little girl fighting cancer (and our prayers and wishes this holiday go out to you as well, brave young Rowan).

We all volunteer for something, raise money for someone, give to something. We make it a point to know each other, to be kind to each other, to watch out for each other. We water our neighbor’s gardens during summer breaks and take care of each others pets during holidays the year round; our kids live out of any of our kitchens; we are quick to make a meal and bring it when someone is sick or a parent is away or a family loses a loved one. We trust each other. Maybe now more than ever we will look to each other for the brightness in the world.

During this time, when good and bad are cast in sharp relief, when we are all thinking of the children, I want to turn to Linus Van Pelt to find light under the dark cloud. Linus is, some of us will know, Charlie Brown’s best friend.  

At the end of “A Charlie Brown Christmas,” disaster strikes Charlie yet again. The small tree he brought to the pageant cannot bear the weight of even one Christmas ornament. It falls over. Charlie believes he’s killed it. Pandemonium reigns. Quiet Linus, ignoring the chaos around him, takes center stage, and in a strong, small voice, quotes from Scripture. His speech ends with this: "And suddenly there was with the angel a multitude of the heavenly host, praising God, and saying, 'Glory to God in the highest, and on earth peace, good will toward men.'"

He then leaves the stage, wraps his truly cherished security blanket around the tree and the tree springs up. The children respond to Linus’s gesture and decorate the tree, which springs back to life and shines with light, with hope. 

            Whether we are believers or take the words just as meaningful parable, they ring so true this year. We crave peace on earth, good will toward all.

David Rocchio lives, works and writes in Stowe, Vermont. (c) 2012 David Rocchio

Living Rural, Working Everywhere

            Living and working way North, in central Vermont, or what an old girlfriend’s lovely mother once referred to ‘as the back of beyond,’ as in ‘over my dead body will you move to the back of beyond with that guy,’ means going anywhere can be difficult and working with the outside world can be complex.  Here are some notes on how complicated it all can be.

The Food Season VII: A Witch, A Giant and Two Travelers (A Thanksgiving Tale)

Thanksgiving, 1993. New Zealand. It was November and spring, day to home's night; even the night sky was not the same. We drifted down the thin road along the edge of the Tasman Sea into the Paparoa National Park.  It was still at the time a new park, young, eager rangers all around. We wanted to go on a trek. Unfortunately, it had rained for days and the enthusiastic, ill-informed rangers sent us on our way. In the park we found swollen rivers; trails swamped and dissolved into churned, knee deep mud, and an angry bull blocking our way. We cut the trek short.

Rather than hike out the same way we went in, we forded one of the torrential rivers by stripping naked and crossing with our packs and clothes and shoes balanced on our heads. On the other side of the river we followed a trail back to the coastal road, Highway 6.

We made it to the road and hitchhiked back to our car. We were soaked, tired and frustrated. We decided to drive toward Mount Cook.

As we rattled down the road in our Rent-A-Wreck, with the sea to our right and thick forest to our left, we flew past a small sign pegged to a tree outside an old house teetering on a steep slope between the road and the beach. The sign said ‘bed and breakfast.’ It was written in fragile, pale letters. The sign was so small it did not register until we were just past; it was a memory sighting. Jackie said we might want to turn around to see what was what, so we did.

The house was tucked into a hill between the road and the beach. It was an old clapboard Victorian, time worn, tired, dirty. We parked and knocked on the door.

The Food Season VI: Some Meals Are Snapshots

Many nights of meals are snapshots rather than portraits.

Vermont, New Year’s Eve, a long time ago.  Maybe 1997.  Ignazio and Tina and their young daughter joined us and other good friends and family for a late night meal. Before coming to visit Ignazio went mushrooming in the woods near Siena and brought his foraged, dried mushrooms to America.  We decided to use them for our New Year’s Eve dinner.  We used the coffee grinder to turn them into a fine dust.  Ignazio made the sauce and the pasta; I cooked the sides and a roast beef stuffed with garlic, parsley, old bread, onion and cilantro.  We were all excited about a sauce made of foraged mushrooms from Italy.

While we cooked, our guests all hung around the kitchen.  Ignazio told about a neighbor near the old farmhouse near Siena, a woman who knew the woods around her home as well as she knew her two children.  The children, a young boy and girl were sweet and polite.  The boy funny, the girl serious.  The mother was a masterly cook and wonderful neighbor.  One day the mother went hunting for mushrooms near her home, the same place Ignazio told us he found the mushrooms for our New Year’s Sauce.  This was a thing the mother did often and had done for years, learning the skill from her mother before her. 

That night, when her children were home from school and had done their chores, when the husband was home from work, everyone finally sat down for dinner.  The mushrooms looked so much like the good ones, the sauce tasted the same, but the mushrooms were not the good ones.  They were poison.  The children died.  Both of the parents were violently ill and recovered, but not really. 

We all stopped talking.  Our celebration ground to dust just like the mushrooms.  After a minute Ignazio broke the silence.  ‘It is okay,’ he said.  ‘We test the mushrooms.’  He told us how he and Fabio and another friend, his best man at his wedding, Antonio, got together before he left Italy and made a meal just like our New Year’s dinner.  ‘The mushrooms are okay,’ he said.  The conversations ramped back up and we left the sad tale behind us.

And then we ate.  My little Sicilian brother-in-law was drunk.  The conversation rolled like surf onto a beach.  The food was good; the pasta sauce was shockingly good.  Deep into the meal, Ignazio started banging on his wine glass with his fork.  I thought he was going to break the glass.  We all stopped and looked his way. 

“I kidding!” he said in his highest, almost falsetto, most animated voice.  He was laughing.  “We not test the mushrooms!”  I could tell he thought this was the funniest thing he had ever said.  He put his head on the table and banged his fist next to his plate.  “We not test,” he cried and laughed and rolled his head back and forth.

Our dear friend Kristina – Swedish, proper, elegant – dropped her fork and gasped.  Her husband Dean, the judge, tossed his napkin down in disgust with a harrumph.  We all looked at each other.  Ignazio was the only one laughing.  But then, what the hell, the food was so good.  Someone made a joke.  We calmed down. We all laughed and ate. 

Late that night I woke up with crippling psychosomatic leg cramps.  I tried to walk to the bathroom.  The cramps dropped me to the floor.  At least I think the cramps were psychosomatic.  Kristina said she did not sleep a wink.  We all had similar stories.  I wonder to this day if Ignazio made up the whole thing.  We survived.

Italy, another meal, sometime in the 1990’s.  This time Tina, Ignazio, Marzia and Fabio and I traveled to a house owned by Marzia’s family in the mountains near Bologna.  She apologized, “It is very old, very rustic, not very nice.”  The drive to the mountains was fantastic.  We drove along dry roads under a bright sun and then, in an instant, would submerge into fog so thick we would need to stop the cars, get out and walk away from the highway, so sure were my friends a Lamborghini driven by a madman, or a truck, or a van full of nuns would drive into the back of one of the cars, causing a calamity.  And then the fog would lift and we’d drive on until we hit another patch of deep mist.

We arrived late in the day.  The old, rustic, ‘not very nice’ house was in fact a four hundred year old farmhouse.  It had no heat but did have three-foot thick stone walls, a fireplace as big as a garage, candelabras and deep, tall medieval windows.  We made a roaring fire; we lit candles throughout the house.  This was the place and the time Ignazio taught me to make the garlic bread in an open fire.  Ignazio and Fabio somehow roasted whole eggs in the coals.  To this day I don’t know how they did it so the eggs did not blow up.  As we breathed thick wood smoke we played cards, ate eggs and garlic bread, drank wine.

Vermont, November 11, 1994.  When Jackie turned thirty, shortly after we were married, we drove to a restaurant on the other side of our mountain.  We live in Stowe, Vermont, on the eastern side of Mt. Mansfield and to the south of the village of Jeffersonville.  Jeffersonville sits at the northern hem of our mountain, the State’s largest.  Another peak, Madonna, works with Mansfield to all but hem us in.  A narrow notch between the two mountains is the only direct way from Stowe to Jeff.  In the winter, once there is any snow on the ground, the road is closed.

The restaurant, ‘Le Cheval D’Or,’ was stuck in a small front on a quiet street in the compact village of Jeff.  Inside, the walls were dark.  In the hall there was an autographed photograph of an Apollo Astronaut, who had found and loved the restaurant.  This was a fancy, romantic and mysterious place.  So on a cold, snowy November night we drove the long way, literally around the mountain, to have dinner at Le Cheval D’Or.

I don’t remember everything we ate but I remember we talked non-stop.  I remember I ordered quail for my main course.  It was stuffed with wild rice and mushrooms.  It was delicious but very hard to eat.  I picked the meat off the tiny bones with my fingers.  I remember my desert – it was a maple crème brulee with a maple crust.  It had a thin maple cookie resting on top.  We drank good, dark coffee and sat by the fire. 

It had been quiet in the restaurant when we arrived and then got quite busy.  It was empty when we finished.  The meal cost an arm and a leg but nothing had ever been better.  When we left the restaurant, drunk, content, full, happy, young, married, in love, I turned toward the Notch Road, feeling empowered to navigate the slippery turns up and over our mountain despite the snow.  I careened up and down that closed road, sliding on the ice, repeatedly nearly losing control. We survived it.  Crazy.  It was thrilling and stupid.  We laughed at it.

Five hours in a restaurant and not noticing the time, not caring when the food might come; feeling when the meal ends it has ended to soon; watching the staff lean against the bar, staring at their hands, bored and wanting to go home; leaving the empty room still talking and laughing.

Ontario, Canada, 1993.  The best diner breakfast ever, somewhere between Niagara Falls, Ontario and Detroit.  We were on a secondary road facing Lake Erie.  The diner was in the narrowest building I’ve ever seen – a trailer wedged between a motel and a house.  The lot must have been a driveway at one point.  There was a counter with stools and behind the counter, along the far wall, was a row of hooks for coats and hats.  With barely enough room to walk between the coats and the people it was an awkward place. 

The only decoration was a framed map of wrecks on Lake Erie.  It hung on the back wall, by the coats.  The people were dour and cold.  No one said hello.  I ordered bacon and eggs with potatoes.  The eggs were fried perfectly with ample salt; the bacon was thick and meaty, well smoked and served half way from raw to crispy; the potatoes were fresh made and crisp, with onion and hot sauce and bits of sausage mixed in.  The coffee was excellent.  Five Canadian dollars passed hands and we were back on the road.  I could not find the place again if I spent a week looking.  I will remember the breakfast my entire life.  I would love to go back there.

            Each place, each time, each memory is nothing less than life.  I will try to write down some of the recipes.  Share life.  But just not right now.

David Rocchio lives, works and writes in Stowe, Vermont. (c) 2012 David Rocchio

The Food Season V -- A Hot Meal On Beach Day

As I write, in my kitchen in Vermont, it is a cold and rainy day heading to winter. Although gray and windy, the leaves long ago blown off the trees, I am not stuck in this stick season. I am thinking about another visit to my sister in Italy (check last week’s post), but the trip I am thinking about now was in the heat of summer.

It was over a year later, and by this summer visit Marzia and Fabio’s relationship had become rocky; I was soon to marry Jackie, who was with me on this trip; Tina and Ignazio had a little baby.

My sister Tina lived then in Prato, a textile town, and in the summer the sun burnt down upon it. Tina’s apartment did not, of course, have air conditioning. To escape the heat we planned a trip to the beach with Marzia and Fabio. We would stay with them for a night or two.

On the morning of the trip I, ever the American, was up early. I woke Jackie, who scowled, and I made her help me get ready for our excursion. We packed for the beach. I made coffee. We dressed. And then we sat and waited for the sounds of people waking up. They didn’t.

Ignazio, Tina and Giulia slept on so we drank the coffee and talked, moving to the small porch looking across to other apartment buildings. We watched a woman beat a rug; a man drink his own coffee, a cigarette dangling between his fingers, he watching us watch him; two kids playing; a man water potted plants. We finished our coffees and went back inside. The others still slept.

I went for a walk to the station to get a Herald Tribune. The air was attic-closet hot and still. I tried not to move as I walked. Forty minutes later, when I returned, the house was still dark but at least it was cool. I made more coffee. I watched soccer on Italian TV while Jackie read.

Finally, my sister got up. She made coffee. I asked when we would go. She shrugged and said, as if it were obvious, which I guess it was, ‘everyone is still asleep.’ I watched more soccer.

By noon Ignazio was up, had his coffee and was dressed. The baby gnawed on some hard biscuits, hot drool running down her front. Ignazio packed the car; Tina got the baby ready. Jackie and I were thrilled. Off we’d go! But.

We did not go to the car. ‘We need to see Rachele and Paolo,’ Tina said. They were Ignazio’s parents, both gone now. We need to go for ‘a little lunch,’ she said, 'we can’t not go.’ She opened her hands in a frustrated gesture, again as though it were obvious, which I guess it was.

Rachele must have been standing just on the other side of her apartment door because as soon as we came into the foyer of her building she appeared on the landing. She must have been listening for the creak of the big, heavy, ancient wooden door and then for the beast to slam shut. She smiled and watched us walk up. She was waving, talking. She pulled her hands together, in front of her heart, and clasped them tightly, smiling and talking.

Paolo was quiet. He talked to me in Sicilian. I didn’t understand but nodded. It was now about one o’clock. The apartment was dark, hot and close, like a museum. We went and sat on the balcony but there was no relief. Of course all I could think about was we should be at the beach, but we instead sat and talked and it seemed only I wanted to go. And then we were called to lunch.

Rachele put out some pasta tossed with a red sauce and veal. The sauce just touched the pasta and clung to it and the meat fell apart with each bite. The taste was rich and spicy but not heavy. The pasta was firm and thick (homemade). Delicious. Too hot for such a meal but an incredible pasta. As we mopped the sauce off the plate with fresh bread, completely satisfied, a bit drunk on thick red wine, me now thinking we would without a doubt be off to the beach, Rachele came back from the kitchen.

Plates of stuffed artichokes; a roast beef rolled with garlic, herbs and bread; cold broccoli rabe marinated in olive oil, garlic and lemon. I pulled the fragrant, seasoned artichoke leaves from the husk, drank more wine, stuffed down two thick slices of the roast. Next came some homemade biscotti and dark, dark coffee.

‘A little lunch,’ my sister had said. It was now three o’clock. We sat around the table and the conversation rolled from Italian to Sicilian to Italian to short English translation and back to Italian. We all laughed and smiled. It was interesting, fun, enjoyable.

We finally left, Giulia asleep in her father’s arms as we lumbered down the stairs, Rachele waving goodbye from the landing.  We climbed into the car for the drive to the beach, an hour away. I nodded off into a half sleep, full of odd dreams and fear of crashing, sweating, my head lolling, Giulia sleeping next to me, holding my finger in her small hand.

I listened through the haze of car-ride slumber to the sing-song talk of my sister and her husband. The baby woke up, cried and cooed. Sitting between Jackie and me in the back seat, she pulled my hair and laughed. She made Jackie laugh. The wind roared through the car as we sped toward the coast.

At the apartment by the beach we changed into our swimsuits. We went for a walk, a swim.

The beach was crowded and it was still hot even late in the day. We talked, and read, and watched Giulia throw sand at the sea. We watched the sun go down.

At dusk we all went for another long walk on the street by the waterfront. It seemed everyone in town was out, some wearing fine clothes; some, like us, still in their beach things, comfortable walking along in swimsuits and flip-flops and nothing else; others were casual and cool, in t-shirts and jeans, short skirts or cotton dresses. People walked arm in arm, talking, or sat on park benches. Conversation was all around. It was festive, calm, relaxed. It was just Italians at the beach for a Sunday evening.

We went back to the apartment and showered and dressed. Still full from lunch. It took eight hours to get to the beach, full as pythons, this trip to the beach not at all what we were used to.

At about ten that night we went back out. We headed south, walking along the promenade, the sea to our right. We arrived at a long, low, open wooden building, which formed a U facing the Mediterranean. It was a pizzeria. You could sit inside or choose to be outside under the stars. It was rustic and warm, all worn wooden benches and plank floors. There was a big fire burning outside where they made the pizzas. We sat at a communal table on the beach and ordered a ton of food – bruchetta, olives, roasted vegetables (eggplant, peppers, garlic, artichoke) and pizzas. I was still full from lunch. But I ate. And we drank wine. We sat and talked more. The baby was asleep in her stroller. She was not the only bambina under the stars.

I sat between Tina and Marzia. Jackie was across from me, smiling. Ignazio and Fabio were by the baby arguing about football or music or politics. Shouting, gesturing, rolling their words and making them long, piped, dramatic. Tina and I talked for a minute, she feeling maybe a bit homesick put her head on my shoulder for just a second. There were tears in her eyes, which she wiped away. She moved away and just touched the back of my neck. She turned to Jackie and changed the subject. We stayed out most of the night.

I have never been as full, content, engaged. 

David Rocchio lives, works and writes in Stowe, Vermont. (c) 2012 David Rocchio

The Food Season IV: Meals and Cooking on the Run Up to Thanksgiving - what we remember

Last week’s post for the food season was fiction, but memories of real meals form the cornerstones in my life. 

January 1994.  Rural China.  We traveled by bus to a distant, cold, rain soaked town near Burma.  We were hungry and tired.

We found a noodle stand on a corner.  It was crowded and buzzing.  The people who worked there seemed smart, content, at least smiling and competent. 

We sat down and ordered.  We pointed to piles of meat and vegetables to communicate what we wanted with our noodles.  We watched the cook make the noodles.  He took a ball of dough in his hands and wove it through his fingers as if a cat’s cradle.  He turned the ball of dough into long noodles right before our eyes.  I’d never seen anything like it.  The cook rotated his hands, made the dough swing and splay and then he quickly flipped the newly minted strands into a pot of boiling water and just as quickly from the pot into a burning hot wok.  They sizzled.  He added some meat and vegetables; he stirred it all and tossed it and added a sauce.  He cracked two eggs and let them sit on the top of the stir-fry.  They cooked as he slid the meal into two bowls.  In seconds we devoured the best Chinese food ever.  No.  Some of the best food ever, period.

            On that night a man ordered fish and we watched the cook take a swimming fat monster and toss it live from a small tub into a pan and serve it completely whole.  While we ate a group of men played a raucous drinking game.  Everything was loud and exotic.  It was hot and full.  Some people were mocking us gently, laughing.  One man came up and took the chopsticks out of my left hand and put them into my right.  The entire room laughed as he did it.  We didn’t care.  We smiled back. 

Dipping into a culture by sharing a meal is somehow intimate.  It makes communion.  It is a connection.  As I remember the details of this and other meals from twenty years ago in China, the cook at the noodle stand might remember us too.  At least we joined his life for a short while.  We didn’t just walk by.  Of all the things we did and experienced in China the making of a bowl of noodles at a corner eatery is one of the most important to me.

Meals are also memorable because they are comfortable and close, like anyone’s grandmother’s kitchen.

My baby sister Tina gave me a tremendous gift twenty five or more years ago when she moved to Italy.  What started as just a commitment to visit my sister is now a need to keep in touch with dear friends and special places a long way away.  And I remember it mostly through meals.

            1989.  I visited my sister alone.  Tina and her husband Ignazio took me to a place in the mountains north of Prato, in Tuscany, where they lived at the time (where Ignazio still does; divorced, my sister and darling niece live in Rome).  The restaurant was just a roadside tavern, stuck close to the cars crawling by on switchbacks into the mountains.  It was cold and rainy, mid-winter.  The air smelled of coal and wood smoke, car exhaust.  (These are the smells of Italy to me and therefore they are smells I love.)

Ignazio parked his tiny Peugeot along the side of the narrow road, not exactly out of the traffic.  We ran across the busy road and I was sure we would be killed. We’d been driving for a while, so I was happy to be out of the car, but I was not excited about where this long drive had taken us.  I was underwhelmed by the look of the place.  I remember the building as small and nondescript.  It sat on the downward side of the hill, below us.  It seemed cold.  It was not.

We ran into the small room and immediately I was hit with warmth and noise.  It was crowded, mellow and calm.  It smelled great.  The place was jammed. ‘Maybe it is not so bad,’ I thought.  The only dish on the menu was a sampling of four pastas and four sauces.  No choice at all.  They had one red table wine.  No choice. We sat at a communal table and settled into conversation.   We ordered.  It was easy.  Red wine.  Three meals.

I don’t remember all of the sauces.  One was mushroom.  One was certainly 4-cheese.  Although I don’t remember each sauce, each pasta, I remember how good the meal was.  I am hungry just thinking about it.  I think I remember the name of the restaurant: La Tinaia.  If that was the place, it was in Barberino di Mugello.  (This is rare for me.  I mostly don’t remember the names of places.)

There had been a small plane crash in the mountains and the police came in.  These carabinieri essentially filled the room, tall men with thin, slicked-back black hair, wearing beautifully designed, post-fascist uniforms, peaked caps and tall, black leather boots, all animated and arguing, gesticulating and shouting.  I couldn’t understand a word and thought they were about to fight.  I thought something was about to happen.  I asked my sister what the trouble was. 

“There was a plane crash.  A small one.  Plane.”

“Why are they fighting?”

She got frustrated with me.  Gesticulated.  Spoke quickly.  Her voice tightened.  “They are not fighting.  They are just talking about it.”

“Like we are?”  I smiled.

“Shut up.”  She smiled.  

So they were there to eat.  They weren’t arguing.  They were just Italian.

I remember my sister smiling at something else I said.  We laughed a lot.  Ignazio and Tina laughed together and we talked for hours.  I remember Tina and Ignazio were in love then.

We left the restaurant full and warm with red wine.  We drove back to Prato in silence, letting the road noise fill the space.  It was dark when we stopped at Marzia’s house.  Marzia Mariottini, a beautiful woman, with a noble Italian nose and charcoal eyebrows on olive skin, her hair night-sky black and long and straight, very smart and curious.  She knows art and the architecture of her country.  She likes to share it.  She is funny.

She lived then with another great friend, Fabio.  A friend of Iganzio’s, a thin, fit man with a gangly, scraggly beard, his eyes close together.  A permanent winking smirk on his narrow face.  He is a gym teacher who loves old American noir films.

We had a few drinks with Marzia and Fabio.  We sat in a quite kitchen and just talked.  I think this was the night I tried Marzia’s Uncle's homemade artichoke liquor.  I can still taste it. 

* * * * *

Here are three recipes from Italy to accompany this post.  One, Cacio e pepe, I make a lot.  One is a variation I will write about in another post.  It's a funny story.  The last one my sister Tina told me about.  I have not made but my sister is an incredible cook so I trust her (and it sounds delicious).  (She also sent me a recipe for Cacio e pepe but I like it the way I make it better.)

Cacio e Pepe  This recipe is in a Gourmet Magazine. Here is the on line version.  It is incredibly simple.  It is spaghetti, black pepper and very good Pecorino Romano cheese.  

2 tablespoons black peppercorns, coarsely ground or ground with a mortar and pestle.

1/2 lb. spaghetti

3/4 cup + 2 tablespoons very finely grated Pecorino Romano cheese.

Gourmet says to toast the peppercorns.  Go ahead.  I don't.  It is best to use a thick spaghetti, like a number 5, or use rigatoni.  Cook the pasta until al dente.  Important: reserve about 1/2 cup of the pasta water ad then drain the pasta.  Do not shake off excess water.  Put the pasta in a warm bowl.  Sprinkle 3/4 cup cheese and 3 tablespoons cooking water evenly over spaghetti and toss quickly.  If pasta seems dry, toss with some additional cooking water.

Divide the pasta onto two warmed plates.  Sprinkle with the black pepper and another tablespoon of cheese each.  Serve immediately with additional cheese on the side.

Tina points out this is not a good pasta for large groups.  Cook it, serve it and eat it quickly.  We are a family of four and if you do a pound of pasta it's a great family meal.

Don't use inexpensive, pretender Romano cheese.  It will be a mess.

This is without a doubt the best pasta dish I have ever made or tasted.

My sister also recommends dried wild mushrooms from Scalvaia (a town near Sienna -- it is another story) grated together with the cheese and pepper as per above and then tossed with the pasta as with Cacio e Pepe.

Finally,  my sister suggests a nice summer pasta:  mix fresh ricotta cheese and cherry tomatoes with black pepper and Pecorino Romano and pasta.  But go ahead.  Make it in winter.
This noodle dish is not Italian -- It is fron the other side of the world from the book The Essential Asian Cookbook, White Cap Books, 1998 --  and it is easy to make and delicious.  Use chicken, beef or vegetables if you want:

10 large raw prawns
200 g (6 1/2 oz) Chinese barbecued pork
500 g (1 lb) Shanghai noodles
60 ml (1/4 cup) peanut oil
2 teaspoons finely chopped garlic
1 tablespoon black bean sauce
1 tablespoon soy sauce
1 tablespoon white vinegar
60 ml (1/4 cup) chicken stock
125 g (4 oz) fresh bean sprouts
3 spring onions, finely sliced
fresh coriander leaves, for garnish

Peel and devein the prawns.  Cut the pork evenly into thin slices.
Cook the noodles in a large pan of rapidly boiling water until just tender.  Drain and set aside.
Heat the oil, add the garlic and cook until it is pale gold.  Add the prawns and pork and stir for three minutes or until the prawns are pink.  Add the noodles to the wok with the black bean sauce, soy sauce, vinegar and stock.  Stir-fry over high heat until it makes your eyes water.
Add the bean sprouts and spring onion for one more minute.
I add hot chilles at the end.

David Rocchio lives, works and writes in Stowe, Vermont. (c) 2012 David Rocchio

Great Baseball Photos Revisited -- Kung Fu Panda

With credit due to the Guardian newspaper --

Giants mash.  A romp.  Baseball as rock show.

The Food Season III: A Short Story 'The Night Out'

We walk down a street.  We do not talk, both stare down at feet or way ahead.  Constant, heavy traffic whips by, the sound from the rain slicked street is incessant.  The spray does not reach us but we are both soaked.  The umbrella is almost useless.  The rain slants with the wind.  Raindrops big as grapes pepper us.

It is a fight, an argument.  One said something and the other got angry.  And now we are not talking, steaming.  And now it is raining.  Hard.  We are both hungry.  Neither of us wants to be with the other.  It is dark, cold.  We are wet, hungry, unhappy.  It is depressing, oppressive.  Each of us, secretly, want simply to turn away and go off alone, leave the other, disappear.  But we don’t.  Some times this can last days, some days hours.  It is a street we've walked many times.

“Are you hungry,” I ask, knowing the answer will be a shrug.  She shrugs, which means 'yes, but I am so pissed I would rather die than admit I want to eat.'  We keep walking, slogging.  She is almost crying.  I am a knot.  I want to throw up I am so mad upset pissed off.  We just walk.

We pass a few okay restaurants but do not even slow down.  We know each other.  We may be frustrated, angry, hungry, wet, depressed.  But.  We like our food.  A bad meal or a bad place would be worse than the misery on the street. 

Finally, across the street, past the flying cars kicking up clouds of mist, there is a busy room behind a picture window.  The glass is steamed but through the window comes a light.  It is warm, not bright.  Through the fogged-glass we see a man hard at work playing a piano, occasionally pulling on a cigarette.  Tall waitresses in black pants, white blouses and long white aprons race through the room, around the crowded tables, with trays stacked high.  A man near the window pulls on his beer.  She nudges me.  I nod.

We jog across the street and push into the room.  Welcomed warmly.  No reservation but not a problem.  ‘Why don’t you wait at the bar,’ we are asked.  Fine with us.  We sit at the long bar and have a drink, don’t talk but are done with the fight.  The hostess brings us a kitchen towel I watch my wife wipe her hair with the towel, which makes me laugh.  She smiles.  Familiar.  I am smart enough not to ask her to say she is sorry.  I order two more drinks.

We fall into a deep conversation and before we know it we are asked if we’d mind, there is a table in the back by the kitchen doors, not usually used, but it’ll be a long wait if we don’t want this small table in the back.  They like us.  It's nice, being here.  We go look and the table is fine.  We don’t mind.  We sit down with our drinks.  We watch the servers fly in and out of the kitchen; when the double-hinged doors swing open it is like a portal to another world; we glance at the line, watching the chaos and the shouting in the heat of a bustling kitchen.

Our waitress comes up.  She is sweet and smart.  She smiles with her eyes and brings us warm bread and menus before we are settled.  We have our drinks from the bar and order mussels in a broth of wine and garlic and butter.  We dunk warm bread into the sauce.  We finish our drinks and order a bottle of red wine.  We can barely hear the piano over the talking and the occasional burst of talking and shouting which flows from the kitchen when the door swings open.  And the kitchen team is listening to something loud and fast; when the door swings shut the music swings back to gentle jazz of the piano in the bar.  Door opens to the kitchen and a wall of guitars rail.  It is funny.

We order our meal, the waitress answering questions and steering us to this or that. 

The room swallows us and we talk through roasted lamb, curried chicken, crisp roasted potatoes, perfectly sautéed spinach in lemon sauce, an asparagus and wild mushroom thing that tastes like melted gold.  Somewhere during the meal we order another bottle of a good red wine, dry and round and blood-red.  Not cheap but not not cheap.

We both eat – no picking at the edges of the plate.  We both tuck in.  When the plates go away they are shiny-white; we joke the chef could take the plates, reload them with a fresh meal and send them back into the room.  She says 'I am sorry.'  I smile and say 'me too.'  that's it.
Later, the waitress slides a slice of pie between us and says ‘it’s on me.  Welcome.’  We share.  We never share.  And then we order another desert, a warm apple crisp with vanilla ice cream, and two glasses of a liquor the waitress recommends to join the pie.  It is like a treacley drug, warming our throats and we feel it take off inside.  A good drunk.  We are hours in and no time has passed.  We laugh about the fight.  We are drunk, drunk, drunk and have no intention of leaving.  We talk and talk.  Finally, we drink oil dark coffee. 

We sit and hold hands across the table.  The waitress drops the check on the table and smiles.  Says as long as they don't lock the door not to worry.  When finally our table is cleared the room is quiet.  The rain has stopped. The staff are winding up now, talking.  When the doors swing open Reggae blares from the kitchen and the shouting now is in Spanish.

If we had not found this place the fight would have lasted two days, maybe longer, I can tell.  As it is, we found the place.  The fight is gone.  What can we say?  We like our food.  We love good places.  We know each other.

We make up the pie in the tip.

David Rocchio lives, works and writes in Stowe, Vermont. (c) 2012 David Rocchio

Pushing Boulders Up Hills

Our high school ski team dragged an old truck engine to the top of a hill.

The idea came from our coach, George Woodard, who did not ski but knew how to farm and tinker.  We hauled the engine up the hill to build a rope tow.  The rope tow was George’s idea to improve access to the top of our ski jump.  This was back when Vermont high schools allowed teenagers to jump, and maybe George couldn’t ski but he knew less walking meant more practice. 

Harwood Union has a small hill behind the school.  At the time, it’d been converted into a jump; a short, steep pitch with a huge dirt headwall carved into the middle of the slope.  The headwall had a kicker.  We’d sail off it. 

Walking up that hill to practice was hard work.  The long wood skis, built like barrel staves, wide as floorboards, were mounted with old steel telemark cable bindings.  Industrial.  The skis weighed a ton.  The ancient leather boots weighed, oh, one hundred pounds dry, one-fifty wet.  Throwing skis as long as small trees onto teenaged shoulders and walking up a hill wearing wet moon boots.  As I say, hard work.  So we all thought George was onto something.  Moving a rusted, ancient, gigantic, iron Ford Model A engine to the top of the hill seemed a small price to pay to avoid the hike. 

George mounted the engine on a wooden timber frame.  The frame probably weighed more than the motor.  Angled at the front with two big ropes attached, the frame was really a massive, heavy sled.  The plan was to haul the motor on the sled to the top of the jump.

The sled and engine sat on the grass behind the school while we waited for winter.  When it did finally snow, big wet flakes laying down a foot of base, we were excited for the job.  Like Egyptian slaves we grabbed the harnesses.  We dragged the sled to the base of the hill.  Dragging across flat ground itself was near impossible.  Exhausted from this small effort, and we hadn’t really done anything yet.  The hill was incredibly steep.  What we were doing was insane.

Which was perfect.  It was perfect because letting us jump with little instruction and old gear was insane.  And not only the jumping was crazy.  Landing was crazy.  The outrun to one jump we competed on took us across a small road.  A teacher was stationed at the road both to pile some snow on the dirt track and to shout when cars came, although there was no stopping so I don’t know what the teacher would have done if a car roared up when a kid came screaming down.  The base of another jump crossed a stream by way of a narrow wooden bridge.  Thread the needle over the bridge or end up in the water. 

Getting to the top of some jumps was also crazy.  The depression-era trellises, stacked high on hills, were coming to the end of their lives.  The trellis jump in Lyndonville leaned like Pisa and moved measurably in the wind.  There was no stair, just a steep incline with small, worn wooden slats for toeholds.  Dead of winter, wearing moon boots, carrying the weight of a cross and climbing in a wind with the whole thing swaying under foot, getting to the summit of the Lyndonville jump was a sport of its own. 

And then there was the jumping.  None of us were very good.  We were unschooled.  Our gear was from the Great War.  If success was overcoming sheer terror we were Olympians.  

But sometimes it went just right.  Point the skis, hurtle like an arrow toward the headwall; leap forward when you hit the lip; skis come up, body leans forward into the sky, and for one or two beats of the heart the skis lift, you lift.  You fly.  The rope tow was a chance to fly.

Hard work, dragging a truck engine to the top of a hill.  We tugged and slipped and fell.  We were soon soaked and covered in mud, exhausted.

Near the top someone noticed frozen rotting apples hanging from gnarled trees. Between the wet snow and the apples we abandoned the sled and launched an epic snowball and apple fight.  As it always is, one team member almost lost an eye, taking an apple right in the glasses.  Another I think broke his nose.  There was blood in the snow.

After the apple fight we finished the job, putting the sled in position.  We stood there, soaked, cold, battered, maybe a bit proud.  We stood in the gloam of a late-fall afternoon.  George pulled a key out of his overall pocket, wrapped cold fingers around the key, put it in the ignition, turned it.

I was brought back to all this a few days ago.  I was reading an article by Adam Gopnik in the New Yorker about Albert Camus.  Camus - philosopher, writer, resistance hero - wrote about Sisyphus, a man who defied the Gods and was condemned for eternity to roll a boulder up a hill only to have it perpetually fall back down. 

Camus argues Sisyphus was condemned to nothing worse than life; we all spend a lifetime rolling rocks up hills only to have them tumble back down.  Gopnik sums it up this way: “learning to roll the boulder while keeping at least a half smile on your face is the only way to act decently while accepting that acts are always essentially absurd.” 

As Jonah Hill’s character says in Moneyball, ‘it’s a metaphor.’ 

We probably should have tested the engine before we dragged it up the hill.  It would not run.  The block was cracked.  Back down the hill we walked. I bet the engine sits there still.

What a day, the day we sledged a truck engine to the top of a hill.  It is the trying, I guess, which makes us smile.  

David Rocchio lives, works and writes in Stowe, Vermont. (c) 2012 David Rocchio

The Food Season II: Cooking For Friends During The Dark Months

            Second piece on meals.  I still cook the chicken cutlets with long pasta I first new in Ernestine Rocchio's kitchen.  The smell when I cook that meal takes me right back to being a kid with his grandparents.

I know my love of cooking for friends comes from there.  Shopping for food and drink, prep-time with the radio playing, working hard right up until everyone arrives.  It is important.  It is how I connect.  

Small groups, up to eight, are best but I have fed twenty.  And we have a small house.  I like sauces and working with very hot pans.  I worked a line in college, late 1970’s and early 1980’s, at a pretty good fine American cuisine restaurant, called Dillon’s, where the owner/chef tipped the line cooks out with drugs and talked a lot about how Hawaii was better than Vermont.  It was odd but he was a very good cook.  He was a very tough boss.  I learned a lot on that line.  A lot.  And I learned a lot from my Gram.  And I have been cooking now a long time.  
I think the insight that made me confident in the kitchen, and is based on nothing more than having done it a long time, is cooking is chemistry.  You heat something up and it changes.  You heat a combination of things up and they change differently.  You learn what to heat up when, how hot, what to add when, how hot, and you become a good cook.  So I am comfortable firing foods and making meals.

Cooking in winter is in many ways the best.  Our bodies are looking for rich, fatty foods.  It is dark out.  There's nothing else to do.  It is cold out.  It is warm in a working kitchen.

I like to cook thin pieces of meat in hot hot oil on a stove, adding maybe some good soy sauce, white wine, mushrooms, lemon, maybe breading the meat or rolling it first in flour and egg.  I like making pan sauces, especially tomato sauce, which starts with olive oil, garlic, onion, a can of anchovies, adding meatballs or mushrooms or sausage or roasted peppers.  Other sauces I love to make are simple:  garlic, oil, pepper; roll meat, maybe chicken thighs or lamb bits or stew meat into it; add white wine (and fight with wife over using good wine for cooking); cover the sauce once the meat is brown; uncover it and add salt, pepper, cumin, fennel seed, who knows.  Let the sauce boil off a bit, add more wine (maybe lemon depending on what else is in there), serve it. 

In winter I aslo like to roast meats and root vegetables.  I’ll stuff a chicken with pretty much anything lying around the kitchen.  No two hens ever come out the same.  One favorite approach to roasting a chicken: I rub olive oil onto the bird’s skin, spackle it with salt and pepper, curry powder or other savory spices, stuff it with aging oranges or lemons or pears (or all three) and place the chicken into the extremely hot cavern of our oven with spanish onions all around it in the pan.  I cook it for ten minutes at temperatures reserved for reentering spacecraft and then turn the flame down to just under four hundred degrees Fahrenheit.  You can almost hear the bird cook.  When it is done it tastes sweet and crisp and rich.  The onion caramelizes and melts.

We buy a half cow from a friend and it sits in our Sears freezer in the basement.  The meat is lean and the steaks thick, red, delicious.  I cook the steaks outside on a wood fire.  I do this through the winter, at least until the snow covers over the stone firebox.  I love cooking steak over the open flame, watching it closely.  The wood smoke makes the cooked meat sweet.  I make the simplest of garlic breads over the same fire, a trick I learned from my Italian brother-in-law.  I take slices of baguette and toast them over the burning logs, grind raw garlic into the burnt toast and slather the toast with olive oil and salt.  That’s it. 

            The din during any dinner party in our house is a happy, satisfying sound.  I love to watch the conversation as one person is pulled in and another drops away; as some people laugh and others huddle and talk quietly; as stories get told; as it gets late and becomes a bit drunken.  We listen to some music, sometimes too loud, sometimes piped in low.  We drink a lot.

At one dinner party I made something new, which came out terrific.  I heated oil in a wok and added a can of anchovies, which dissolved to dust.  I added many, many chopped cloves of garlic.  I added some curry powder.  When the garlic was pulpy I tossed young squid into the hot mix.  The tentacles of the squid were cut into manageable bite-sized nests. I sliced the bodies into half-inch-wide tires and fired the squid in the oil.  As it roasted in the oil I added soy sauce and more curry.  The squid churned in the oil over a hot flame.  Occasionally I sloughed in good white wine.  As the wine boiled off I added more and more.  A bottle of good white wine ended up in the sauce.  It cooked for a long time on a low heat. 

We were all drunk when I finally served the squid.  I had no plates or small forks or toothpicks.  I had good French bread.  My friends dunked the bread in the broth and ate the squid with their bare hands.  It was messy and awkward but it was so damn good.  It all went.  We drifted to the table for dinner with burned, oiled fingers, already pretty much full, already a bit drunk.  It was a great night. 

            Some meals work better than others; some dinner parties are better than others.  I don’t know why.   Cooking is chemistry;  dinners are alchemy.  The music helps.  The alcohol helps.  People being comfortable with each other and themselves helps.  The look and feel of the room helps.  This is true whether the meal is in a home or at a restaurant.  Being with people you enjoy and being able to relax and eat.  I learned it in my Gram's kitchen.  It is the same here although completely different.  There is nothing new about cooking and eating good food with friends during the dark months.  It is I bet as old as the world.  

David Rocchio lives, works and writes in Stowe, Vermont. (c) 2012 David Rocchio

The Food Season I: Meals and Cooking On The Run Up To Thanksgiving

            My father’s mother rolled out homemade pasta.  She pounded the dough on the counter until it formed homogenized balls of fine flour, egg, water, salt and other dustings of I don’t know what.  She then rolled the mud-white balls into circle shaped parchments, sliced the flattened dough into strips with a small knife and settled the strips to dry all around the kitchen, on countertops, chair backs and tables.  My Great-Grandmother – Ma – helped and the two women worked together, mostly in silence, sometimes talking quietly.  The conversations were about this niece, that brother, some uncle or a cousin in Maine.  All family.

During the cooking my Grandfather sat in the kitchen, drinking coffee or beer, smoking cigarettes, not quite listening or watching, pretending to read the Providence Journal or Evening Bulletin.  I sat with him.  I was little.  I could sit for a lifetime in that kitchen.

In that sanctuary as the homemades dried the two women cooked other foods, all ancestrally Italian – this was still an Italian kitchen.  In it they made this or that:  red sauce with rolled beef; stuffed artichokes, squid, or shells; roasted chickens; breaded chicken cutlets; brown meatballs; fire-roasted peppers; big antipastos; escarole soup. 

I watched it all.  Uncles and aunts stopped by after dinner for coffee and pie.  Each Thanksgiving, falling asleep, full as a python, watching football in their living room.  Sitting around the Christmas table after the meal.  The red Christmas table cloth, speckled with gold thread, its surface dusted with crumbs, weighed down by pie plates, coffee cups, ashtrays.  The adults talking and smoking and drinking coffee.  Me sitting there eating my pie, watching. 

From today through the Tuesday before Thanksgiving I am going to post bits of an essay I wrote about remembered meals, eating with friends, the importance of food.  And I'll try to offer up a recipe although nothing so precise it will be helpful.  Here is the first one:

Chicken Cutlets

2 lbs. chicken breasts

2 cups or more dry bread crumbs

4 eggs

black pepper

good parmigiana cheese

salt

olive oil

garlic

making the batter

beat two eggs and add salt and pepper to taste.

on a plate spread half of the bread crumbs and mix in some grated cheese.

preparing and cooking the chicken

Start a quarter of an inch of virgin olive oil in a cast iron skillet and add some slices of garlic.

Fillet the chicken breasts quite thin and then beat the breasts with the side of a knife or with a kitchen mallet.

Dip the cutlets into the beaten egg mixture, dredge the cutlet through the bread crumb and cheese mix and dip the cutlet again in the egg batter.  You will need to pause half way through cooking to replenish both the egg batter and the bread crumb/cheese coating.

Fry each cutlet until the batter is brown and the chicken breast is white but still tender.

Eat it all yourself or it is a meal for four.  Terrific with a pasta with red sauce.

David Rocchio lives, works and writes in Stowe, Vermont. (c) 2012 David Rocchio

Movies from Toronto International Film Festival: A Volunteer's View

My friend Arlene Rogers is one of the army of volunteers working The Toronto International Film Festival each year.  She has been doing it for a very, very long time. How Arlene and I met is here.

I couldn’t be there this year so my friend Arlene sent me this list of what she saw and what she thought.  Most of these films won’t make it to where we live (if they get distributed at all) and others will be big hits soon.  

Everything that follows is Arlene’s, except I think some of the loglines are from TIFF or distributors and in a couple of places I comment on her comments.  I link the titles to some reviews or iMDB or TIFF.  I put Arlene’s words in italics and mine in brackets.  Plain text is I think from promotional stuff.

It’s an interesting list and Arlene said I could share it so here it is. 

What an amazing Festival TIFF was this year.  There were dozens of films out of the 350 presented that I wanted to see but the films I saw except for a few were inspiring, educational, enraging, heartwarming and overwhelming at times.  Adjectives are hard to find to express my feelings about the films I saw and I wanted to get something on paper to you so, although this doesn’t say it all by any stretch, I hope it will encourage you to at least see some of  these films.  My comments are limited because of time and are just my impressions.  The Festival was a total delight and I just loved being a part of it.  Lots of lining up for films but it is all part of the enjoyment and it was great sharing impressions with other filmgoers.       Thank you TIFF.    

A PlaceBeyond the  Pines – (US)  A motorcycle stunt rider considers committing a crime in order to provide for his wife and child, an act that puts him on a collision course with the police.
Directed by Derek Cianfrance. Starring Ryan Gosling, Bradley Cooper.

So many levels in this film, It keeps you totally involved.  Ryan Gosling displays yet another facet of his acting ability.  A lot of intrigue and I really was impressed with change of direction of the plot.

Every Day  – (UK)  I couldn’t find a summary of this film but it was such so engrossing.    Sadly not commercial and so I don’t hold out much hope for it being released but perhaps on a DVD.    It revolves around a man serving time in prison and the relationship with his wife and four children.  It was made over a five-year period and you see the children getting older and the changes in relationships.  It is a sensitive portrayal of the difficulties faced by a family with a father incarcerated.   I really was emotionally moved by this film.  [Michael Winterbottom is brilliant and so is Shirley Henderson so the film must be brilliant.]

 Quartet – (UK)  At a home for retired opera singers, the annual concert to celebrate Verdi's birthday is disrupted by the arrival of Jean (Maggie Smith, an eternal diva and the former wife of one of the residents.  Directed by Dustin Hoffman. Starring Maggie Smith, Michael Gambon. Tom Courtney, and Billy Connolly

This was one of my favourite films.  It was Dustin’s first time directing and he did a splendid job.  Need I say, having a stellar cast was a huge benefit.  Billy Connolly almost steals the limelight although the whole cast was amazing.  Billy Connolly is a comic and added so much fun to the film.  Try and not miss this one. 

LateQuartet – (US) Members of a world-renowned string quartet struggle to stay together in the face of death, competing egos and insuppressible lust.

Amazing cast who took music lessons to make their playing more authentic and I thought they excelled in this venture.  Their personal struggles with relationships within the group is engrossing and so well done.  I would recommend this as a “Must See”

 Mr. Pip – (NewZealand)  Living under the shadow of the Papua New Guinean civil war, an eccentric schoolteacher (Hugh Laurie) forms a unique bond with a young girl (Xzannjah Matsi).

This is a gripping and difficult film at times because of the war but should not be missed.  Really educated me in the terrible trials of Papua New Guinea and was exceptionally acted by Hugh Laurie.  I can’t believe he is the doctor in the television program “House”.   I have a totally new appreciation of his acting ability.

Song for Marion – (UK)  When his beloved wife (Vanessa Redgrave) falls ill, a curmudgeonly retiree (Terence Stamp) must take her place in the local seniors' choir.

Terrence Stamp gives a marvelous performance in this heartwarming drama.  Only hope that this gets released so you can see it.  A film you will never forget.

The Company You Keep – (US) Robert Redford directs and stars in this gripping political thriller. 

I found this, as stated in the promotional material, a gripping political thriller.  A real turnabout story.  It kept me interested through the finale.  Almost impossible for me not to like a film with Robert in it and I did find this absorbing.

RoyalAffair – (Danish)  A young queen, who is married to an insane king, falls secretly in love with her physician - and together they start a revolution that changes a nation forever.

Once again, a real education for me, not knowing anything about Danish Royalty.  A sumptuous historical drama, beautiful photography and except for the subtitles that disappeared too quickly.  Totally engrossing.

The Fitzgerald Family Christmas – (US)  Edward Burns returns to the family well once again with this warm, acutely observed story about an expansive Irish clan’s fraught yuletide when the long-absent patriarch declares his intention to come home for the holidays.

I wasn’t intending to see this film, but I heard from so many of the filmgoers I talked to that it was well worth it.  I’m so pleased I took their advice because I really enjoyed this film.  Full of family relationship difficulties and well performed.  Really a close up of many of the intricacies of family interaction.

What Maisie Knew – (US)  In New York City, a young girl is caught in the middle of her parents' bitter divorce. ….  An adaption of a book by Henry James.

The performance of Maisie was the best I have ever seen by a child.  The film is a very sensitive portrayal of a child’s confusion and distress through the very volatile breakup of her parents.  This is a film for everyone.

Emperor – (Japan/US)  A post-World War II epic set in Japan  Tommy Lee Jones plays MacArthur.

This was in my opinion a gripping portrayal of the aftermath of Japan’s defeat in World War II.  Informative and engrossing  for me  throughout.

Kon Tiki – (Norway/Denmark)  The story about legendary explorer Thor Heyerdahl and his epic crossing of the Pacific on a balsa wood raft in 1947.
This is an awesome film and please, please don’t miss it.  Thrilling and astonishing in every way.  I left the film wondering how it even got made.  Enough said because I could gush for ages.  

Thermae Roma – (Japan)  Japan’s biggest box office hit of the year is a sparkling time-travel comedy and one of the most unique films in the Festival.  Based on the hugely popular comic book, it brings modern Tokyo face to face with ancient Rome in a culture clash that has to be seen to be believed.
One seldom sees a comedy from Japan and for that reason it was quite fascinating.  Comedy is different in every culture and I found myself interested in the Japanese approach to comedy since it was a first for me.  I will say it was not comedy that spoke to me but enjoyed it for giving me an exposure to another culture’s comedy.

Everybody Has A Plan – (Argentina/Spain)  A man who assumes the identity of his deceased twin in Argentina.

Impressive filming and well acted by Morgenson.  However, the ending left me totally confused.  It ended abruptly and I had a lot of questions so found it disappointing.  However, since I don’t believe this will be distributed in North America there is little more to say.

The Paper Boy – (US)  The story of a young man who returns to his small Florida home town to help his reporter brother uncover the truth about a man on death row.

This was a brutal, raunchy and absolutely forgettable film for me.  The only saving grace for me was the performance of Nicole Kidman.  Such a change of character I could hardly believe  it was her.  [Won't see this review on the poster, but good for Nicole Kidman.]

Cloud Atlas – (US)  An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a ….  Directed by Tom Tykwer, Andy Wachowski. Starring Tom Hanks.

I left this film after about an hour.  It has been hailed as a masterpiece and I expect the technology is a major factor in its popularity.  It was so confusing with so many characters and moved from 1400 to 2040 and everything in between.  Too complex for me in the first hour.  Perhaps if I had stayed with it, my impression would be different but I went and saw “Song for Marian” immediately after, which I loved so I’m glad I left this one early.

[The Guardian (link above) called it "wildly over-reaching and not entirely unsuccessful," which is pretty faint praise. For a different, more reverent view see the New Yorker, article, although the New Yorker has become pretty wed to its own elitism and tribe; more Vanity Fair than thoughtful.]

Wasteland – (UK)  Battered, bruised and under arrest, Harvey Denton (Luke Treadaway) sits in a police interview room facing interrogation.

I left this film after about an hour.  The strong north England accents left you missing some of the dialogue and the volatile nature of the actors just did not encourage me to stay.

I didn’t see the next two but they were obviously successful.

The People’s Choice Award went to SilverLining Playboy – (US)   After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. 

The People’s Choice for Documentary went to Artifact – (CDN)

The films I wish I had been able to see but I learned from other volunteers or film goers were very special are:

Inthe House – (French)

All That Matters is Past – (Norway) [Norwegian cinema is resurgent and interesting.]

Midnight Children – (Canadian)

Amour – (French) [Every French film should be named amour.]

Stories We Tell – (Canadian) [I'd like to meet Sarah Polley; her last feature was awful but brave and beautifully film and this seems very interesting.  Canada has the best english speaking film industry because it tells stories.]

The Master – (US)

Anna Karenina – (UK)  [Come on -- she's beautiful.]

* * * * *

I want to thank Arlene for this; she sees dozens and dozens of movies a year.  She sees all types of films from all over the world.  She is not a critic, and in fact when I asked her if I could reprint her list her only comment was “I am not a critic,” as though that devalued her opinion.  She is also not a sales agent, distributor, producer, festival programmer, journalist.  She’s just a fan of movies, which I believe makes her take more helpful and insightful than the combined and conventional wisdom of the industry.  That she took the time to send me the list is an act of friendship -- the least I could do was share it.

David Rocchio lives, works and writes in Stowe, Vermont. (c) 2012 David Rocchio